![]() ![]() It feels like Murphy is at the point in his career where he is creating content with the people he likes to create content with. Wittrock debuted in the fourth season, “Freak Show,” but hadn’t been in such a pivotal, main role since that season seven years ago. Angelica Ross, from “Pose,” returned for her second. Leslie Grossman, who appeared in two early Ryan Murphy productions, “Popular” and “Nip/Tuck,” returned for her fourth consecutive “AHS” season. ![]() The rest of the cast is rounded out by relative newcomers to the series. The cast of “Double Feature” features only a few heavy-hitters who have been around since the show's conception - Sarah Paulson, Evan Peters, Lily Rabe and Frances Conroy being those long-established vets who appear in the main credits for “Red Tide.” I thoroughly enjoyed the seven episodes that have aired thus far, but this season does seem to mark a departure of sorts from the nine that aired prior to it. I know Murphy has some tricks up his sleeve, though, so I’ll watch in eager anticipation to see where it goes. How they connect? I don’t really know yet. In the present-day scenes, four college students go on a camping trip that goes incredibly awry. Eisenhower after they touch down in New Mexico. In the black-and-white scenes, the existence of aliens is brought to the attention of President Dwight D. There seems to be two storylines going on in it already - one taking place in the 50s, shot in black and white, and one taking place in the present day, in color. The first episode of the “Death Valley” portion of the season premiered last Wednesday, and based on what I know thus far, it centers around aliens. It’s fun, it’s shocking and it’s kind of camp. There are, of course, catches to taking the black pill, even if you do have talent, and Wittrock’s character has to deal with those - and the other PTown residents - throughout the first six episodes of the season. It seems out-there, even for a Ryan Murphy production. Upon meeting some rather established celebrity icons (including an erotic novel author portrayed by Frances Conroy), that scriptwriter, portrayed by “AHS” veteran Finn Wittrock, is introduced to a little black pill that could either emphasize the talent that one has or, if you don’t have talent, turn you into a “pale person” - a bloodsucking, vampiric creature who terrorizes the town and its residents. It focuses on a screenplay writer who moves his family to Provincetown, Massachusetts, for a winter, in hopes of getting some inspiration for his upcoming projects. The entirety of “Red Tide” has aired, and it certainly kicked the season off with a bang - or, should I say, bite. The first six episodes would take place “by the sea,” and the final four would take place “by the sand,” respectively. So, when it was announced that the show’s tenth season, “Double Feature,” would be split into two different storylines - “Red Tide” and “Death Valley” - I was definitely intrigued. But, it reeled me in, and now I’ve both enjoyed and suffered through (for lack of better term) every season since. Should I have been watching that season as a 12-year-old? Probably not. 2021 is a special year for the series because it’s its 10 year anniversary and also because American Horror Story Season 10 debuts following the conclusion of the first season of American Horror Stories-a new anthology series set in the disturbing, haunted world of American Horror Story.I have watched every season of “American Horror Story” as it aired since the third season, “Coven,” premiered in 2013. Christian Troy ( Julian McMahon) from his first FX hit Nip/Tuck and Jane Lynch’s scene-stealing Sue Sylvester from the late 2000s broadcast behemoth Glee are simply a couple of examples of the iconic characters he’s had a hand in creating in the years leading up to American Horror Story. ![]() Series co-creator Ryan Murphy’s body of work isn’t celebrated for its subtlety, it’s celebrated for its style. AHS is celebrated for its persistent evolution, its commitment to recycling cherished cast members across all seasons, and its genre-blending brand of soap opera horror. It managed to nab 16 primetime Emmy awards over ten years and has featured a kaleidoscope of familiar faces from film and television throughout its tenure. It’s not as ubiquitously revered, and it never presented record-breaking numbers The Walking Dead did, but its fans are just as ravenous, and as critical, as any horror television franchise. American Horror Story is the most successful horror tv franchise since The Twilight Zone. ![]()
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